Thumbs and Ammo posits the idea: would it be funny to replace guns with thumbs up in stills from movies?
YES!
Thumbs and Ammo posits the idea: would it be funny to replace guns with thumbs up in stills from movies?
YES!
In this episode of SHANKS FX we have some fun with the wonderful weirdness of "Magnetic Putty". We used this Putty to create a lot of the Black Hole sequences in our film SCI-FLY. We now take a 2nd run at experimenting with this "strange matter" to see what new images & sequences can be achieved!!! For more visit ---------------> http://MovieMagicNow.com Like us on Facebook -----> http://Facebook.com/ShanksFX Music by Big Fok -----------> http://BigFok.com HERE IS THE KIND OF PUTTY I USED --> http://store.yahoo.com/cgi-bin/clink?puttyworld+vrJ4Sh+index.html+ In Association with PBS Digital Studios --> http://youtube.com/user/PBSDigitalStudios
Magnetic putty is a lot like ferrofluids (Trippy Watercolor and Ferrofluid Photos July 5, 2012): magnetic particles suspended in a mixture. In the case of magnetic putty, it's thicker: you can mold and shape it with your hands and it will maintain its form.
But put it near a magnet, and look at it come to life. A bit creepy. Totally trippy.
Paul Friedlander, a British artist and physicist, creates these pieces light and motion by rapidly rotating a piece of string through white light. The rope, invisible to the human eye while vibrating so quickly, reveals otherwise invisible bands of color.
by Paul Friedlander. Experimental hand held light sculpture, London studio 2004 http://www.paulfriedlander.com/text/videos.htm
Friedlander:
"I decided to focus on kinetic art: a subject in which I could bring together my divided background and combine my knowledge of physics with my love of light. In 1983, at London's ICA, I exhibited the first sculptures to use chromastrobic light, a discovery I had made the previous year. Chromastrobic light changes color faster than the eye can see, causing the appearance of rapidly moving forms to mutate in the most remarkable ways."
Logline Archiculture examines the current and future state of studio-based, design education. Synopsis Archiculture takes a thoughtful, yet critical look at the architectural studio. The film offers a unique glimpse into the world of studio-based, design education through the eyes of a group of students finishing their final design projects. Interviews with leading professionals, historians and educators help create crucial dialog around the key issues faced by this unique teaching methodology. Outline 1. Intro - Welcome to archiCULTURE 2. Design Education - So What Exactly is Design Education? 3. Studio Culture - Meet Your New Family 4. Critique - Desk Crits, Pin Ups, Juries O’ My! 5. Best Architects - Making it as an Architect 6. School vs. Practice - Two Worlds Collide 7. Starchitecture - The Plague of the Starchitect 8. New generation - The Designers of Tomorrow 9. The Future - I See Myself...
I began my higher education as an architecture student, in love with the notion that form and beauty and structure, human experience, behavior of the materials of the world can all be invoked in a single set of decisions. Still in love with it, apparently: not just the product of architecture, but the process.
Here is the trailer for Archiculture, a film premiering in a few weeks out here in Southern California at the Newport Beach Film Festival.
And, whenever I am given the chance, I like to again share the amazing 6-part BBC documentary from Stewart Brand's book How Buildings Learn. I have watched the whole series scores of times and never get tired of it.
This six-part, three-hour, BBC TV series aired in 1997. I presented and co-wrote the series; it was directed by James Muncie, with music by Brian Eno. The series was based on my 1994 book, HOW BUILDINGS LEARN: What Happens After They're Built. The book is still selling well and is used as a text in some college courses.
This six-part, three-hour, BBC TV series aired in 1997. I presented and co-wrote the series; it was directed by James Muncie, with music by Brian Eno. The series was based on my 1994 book, HOW BUILDINGS LEARN: What Happens After They're Built. The book is still selling well and is used as a text in some college courses.
This six-part, three-hour, BBC TV series aired in 1997. I presented and co-wrote the series; it was directed by James Muncie, with music by Brian Eno. The series was based on my 1994 book, HOW BUILDINGS LEARN: What Happens After They're Built. The book is still selling well and is used as a text in some college courses.
This six-part, three-hour, BBC TV series aired in 1997. I presented and co-wrote the series; it was directed by James Muncie, with music by Brian Eno. The series was based on my 1994 book, HOW BUILDINGS LEARN: What Happens After They're Built. The book is still selling well and is used as a text in some college courses.
This six-part, three-hour, BBC TV series aired in 1997. I presented and co-wrote the series; it was directed by James Muncie, with music by Brian Eno. The series was based on my 1994 book, HOW BUILDINGS LEARN: What Happens After They're Built. The book is still selling well and is used as a text in some college courses.
This six-part, three-hour, BBC TV series aired in 1997. I presented and co-wrote the series; it was directed by James Muncie, with music by Brian Eno. The series was based on my 1994 book, HOW BUILDINGS LEARN: What Happens After They're Built. The book is still selling well and is used as a text in some college courses.
A viper's strike is captured in slow motion, showing how awesome it is. Great HD clip from Deadly 60 series 2, hosted by Steve Backshall.
From the BBC EARTH youtube page:
"A viper's strike is captured in slow motion, showing how awesome it is. Great HD clip from Deadly 60 series 2, hosted by Steve Backshall."
This timelapse features my best work yet. It represents hours and hours of dedication to the art. I'm driven by chasing fleeting moments of damatic light on beautiful landscapes and also capturing the night sky and milky way in all it's glory is a real buzz. Not be mention curling up out under the stars beside all the gear for whole nights at a time catching some sleep here and there between checking the gear and changing batteries and staring up into eternity with spectacular meteors burning up in the cosmic shore out the corner of your eye. Doing this sort of thing has bought me closer and closer to the wilderness. There is something about doing this sort of stuff that just makes you want to keep coming back for more and more. Maybe it's the experience of being out there at one with the incredible beauty of this landscape. Maybe it's the challenge of capturing it in the camera in the way that you witnessed it. Maybe it's the excitement of seeing just what you got when you finally render it all out. Maybe it's the satisfaction you get out of showing this to other people. Most probably it's a combination of all these things. I hope you enjoy watching this timelapse. Please leave a comment if you wish, I'd love to hear from you. It is my hope that in bringing back a little piece of nature to portray in this way helps spark the respect we need to have for such an incredible place. All scenes shot in the North Island of New Zealand. Main equipment used: Canon 5D Mark II & various Canon Lenses Dynamic Perception Stage Zero 6ft Dolly Music: "Go Beyond" by Ben and Matt Hales, licensed for use through Universal Publishing Production Music and APRA New Zealand. Thanks to my family for putting up with my habit ;)
New Zealand sure is pretty...
Equipped with Canon 5D Mark II, photographer Bevan Percival brings us this absolutely gorgeous landscape timelapse of the country.
The Library of Congress has a putting extensive collection of photos of China and Chinese migrants from the late 19th and early 20th centuries.
Artist Kumi Yamashita made this portrait from ONE length of thread wrapped aroung a series of nails. She also mead Mother #2, a panel of black denim with threads carefully cut from the fabric to form an image.
Aaron Groen (and his GREAT 500px portfolio: http://500px.com/AaronGroen), Souix Falls based photographer, has an outstanding collection of photos of the night sky.
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The uber-mega-pop star continues his satirical ways with Gentleman.
Paper artist Charles Clary lays strata after strata of carefully cut paper to create these organic 3-dimensional forms.
From the artist: “I use paper to create a world of fiction that challenges the viewer to suspend disbelief and venture into my fabricated reality. By layering paper I am able to build intriguing land formations that mimic viral colonies and concentric sound waves. These strange landmasses contaminate and infect the surfaces they inhabit transforming the space into something suitable for their gestation. Towers of paper and color jut into the viewer’s space inviting playful interactions between the viewer and this conceived world. These constructions question the notion of microbial outbreaks and their similarity to the visual representation of sound waves, transforming them into something more playful and inviting.”
Artist James Nizam precisely cut the exterior of the house, employed small mounted mirrors on ball joints, and studied the summer sun's movement to create these light sculpture and capture these normal exposure images.
German photographer Markus Reugels has developed a process that lets him capture these stunning, vibrant and sharp photos of splashes of colored liquid.
This stop motion tribute to my 2 favorite old school arcade games is based on actual recorded game footage. The recordings were printed out, one frame at a time, and transferred by hand to various walls around my office floor using thousands of Post-It Notes.
From the project video:
"This stop motion tribute to my 2 favorite old school arcade games is based on actual recorded game footage. The recordings were printed out, one frame at a time, and transferred by hand to various walls around my office floor using thousands of Post-It Notes. The process consumed weekends and holidays for the past 11 months. Changing background scenery was masked out and replaced with 1 consistent frame throughout the animation, producing an eerie stillness amid the moving images on the walls."
The circle of life makes for some dramatic photos, from some fantastic photographers...
Photo by @ao_356
A recent snowfall in Nagano Prefecture gave photographers a the rare opportunity to capture the play between these symbols of winter and spring. Here photos from Twitter users:
These photo manipulations from Barcelona-based photographer Yago Partal (his Zoo Fashion was another project of his we loved) are part of his series called “Defragmentados”.
Alive Without Breath over on deviantART by Singapore-based artist
Keng Lye presents these life-like animal sculptures of of paint and resin, a technique we've seen before. Here Lye also uses painted pieces for the elements breaking through the surface of the "water."
like me on https://www.facebook.com/cneistat follow me on https://twitter.com/CaseyNeistat and of course http://instagram.com/caseyneistat Thanks for the lesson Mislav, he's here - http://www.youtube.com/user/levelxtv/videos?view=0&flow=grid
We've seen Casey before (almost exactly a year ago). Always a pleasure. And Happy Birthday!
we shot this in 10 days, just the two of us. Max, my friend in the movie, is a talented filmmaker, he edited this movie. check him out http://www.maxjoseph.com/
Shot 100% on the HD HERO2® camera from http://GoPro.com. Ken Block is on a mission of destruction as he battles the elements, races rogue skiers and tries to take out as many cameras as he can! Music Kraddy, "Android Porn" Buy at: http://goo.gl/aDLds www.kraddydaddy.com
That's a lot of GoPro cameras....