Thumbs and Ammo posits the idea: would it be funny to replace guns with thumbs up in stills from movies?
YES!
Thumbs and Ammo posits the idea: would it be funny to replace guns with thumbs up in stills from movies?
YES!
Artist Mike Libby based in Portland, does not work with endangered species—he imports the insects he works with from licensed dealers from Brazil, New Guinea, Texas, Africa, and even China.
See also Macro Insect with Drops of Water on their Heads
This is the story of how I managed to take half a million pictures of contemporary dancers in the dark using light-painting, stop-motion and bullet-time techniques. See full details + tutorials on http://lightspin.ca/documentary Dancers: Angie Cheng, Coralie Muroni, Cori Kresge, Daphnée Laurendeau, Dylan Crossman, Erin Poole, Esther Rousseau-Morin, Kim Henry, Leon Kupferschmid, Lucie Vigneault, Margie Gillis, Maria Simone, Merryn Kritzinger, Michael Watts, Paul-André Fortier, Simon Xavier Lefebvre Project made with the help of Nicolas Foisy, Stéphane Hoareau, Ronin Jah, Jeremy Lloubes, Coralie Muroni, Jean-François Sarrazin Original LightSpin music composed and performed by Eric Paré and Marie-Ève Scarfone http://ericpare.com http://timecodelab.com
We saw LightSpin about a month ago and were blown away with the meticulous effort and clarity of vision from Eric Paré that were needed to achieve the effect. As promised, here is the Behind The Scenes video.
From the project page:
"This is the story of how I managed to take half a million pictures of contemporary dancers in the dark using light-painting, stop-motion and bullet-time techniques."
Also see the full video »
Via Zimoun’s artist statement:
Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun’s minimalist constructions effortlessly reverberates.
329 prepared dc-motors, cotton balls, toluene tank Zimoun 2013 _ Permanent installation. DC-motors, cotton balls, filler wires, power supply, lighting system, bench foundation, toluene tank (1951). Dimensions: ⦰ 9.4m x 12.8m height / ⦰ 30.8 x 42 ft. Located in Dottikon, Switzerland. Architecture and consulting by Hannes Zweifel. Assisted from Studio Zimoun by Florian Bürki, Ulf Kallscheidt, Janis Weidner, Marlene Hirtreiter and Annie Rüfenacht. Making-of video by Florian Bürki. Lighting system designed and developped by Davide Groppi. Landscape architecture by Hannes Zweifel and Samuel Interbitzi. Project coordination on-site in Dottikon by Bruno Bachmann. Constructive engeneering by Hans Jörg Baumann and Arthur Hauser. Book: concept, project management and graphics design by Raffinerie AG. Photographies by Zimoun and Janis Weidner / Studio Zimoun. Video by Zimoun. All right reserved © Studio Zimoun. _ «Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of simple and functional materials, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena in Zimoun's minimalist constructions effortlessly reverberates.» bitforms nyc «The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the «artificial» and the «organic». It‘s an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns.» Tim Beck «Zimoun creates complex kinetic sound sculptures by arranging industrially produced parts according to seemingly simple rules. Using motors, wires, ventilators, etc.., he creates closed systems that develop their own behavior and rules similarly to artificial creatures. Once running, they are left to themselves and go through an indeterminable process of (de)generation. These quasi autonomous creatures exist in an absolutely synthetic sphere of lifeless matter. However, within the precise, determinist systems creative categorioes suddenly reappear, such as deviation, refusal and transcience out of which complex patterns of behavior evolve.» Node10 _ Compilation video: http://www.vimeo.com/7235817 Next exhibitions: http://www.zimoun.net/events.html Newsletter: http://www.zimoun.net/newsletter.html Video archive on Vimeo: http://www.vimeo.com/zimoun/videos/sort:plays Website: http://www.zimoun.net Facebook: http://www.facebook.com/pages/Zimoun/134817185765 bitforms gallery nyc: http://www.bitforms.com Galerie Denise René Paris: http://www.deniserene.com _ http://www.zimoun.net
Johnny Blank caught a 30-hour timelapse of Australian artist Paul White creating pencil drawing of a crashed vehicle.
MATAERIAL is the result of the collaborative research between Petr Novikov, Saša Jokić from the Institute for Advanced Architecture of Catalonia (IAAC) and Joris Laarman Studio. IAAC tutors representing Open Thesis Fabrication Program provided their advice and professional expertise. During the course of the research we developed a brand new digital fabrication method and a working prototype that can open a door to a number of practical applications. The method that we call Anti·gravity Object Modeling has a Patent-Pending status. www.mataerial.com Soundtrack: Mémoire - La Mer http://soundcloud.com/memoiremusic
From the project page:
"MATAERIAL is the result of the collaborative research between Petr Novikov, Saša Jokić from the Institute for Advanced Architecture of Catalonia (IAAC) and Joris Laarman Studio. IAAC tutors representing Open Thesis Fabrication Program provided their advice and professional expertise. During the course of the research we developed a brand new digital fabrication method and a working prototype that can open a door to a number of practical applications. The method that we call Anti·gravity Object Modeling has a Patent-Pending status."
Our first version of "things" is now available over on Readymag
get it here »
Some of our favorite things that resonate with a specific lens. This version is centered on light and includes original prose, poetry and dance, as well.
I would love to hear what you think in the comments and please share if you think there are people who might enjoy it.
Thanks,
Ryan
Matthew Picton’s most recent works are sculptures are made from texts or sheet music that are in some way significant to the city. Jerusalem (above and detailed below) is of The New Testament, The Torah, The Armenian Bible and The Koran; Las Vegas in 1972 is fluorescently painted pages from Hunter S Thompson’s Fear and Loathing in Las Vegas. Dresdenin 1945 using sheet music of the score of “The Ring” by Wagner; and Lower Manhattan from headlines that accompanied the 2001 World Trade center bombing and DVD covers of the film “Towering Inferno” also book covers of the novel The Plot Against America by Philip Roth, just to name a few.
See also Book Collages that Tell a Story
Others include the great fire of London, Venice, Moscow in 1812 (under the destruction by Napoleon), London during the Blitz, and Coventry.
There are certain amount of vibrational patterns, which are found at different levels: a time of day, an organ, a color, a plant: one sound. The sound image of octaves is a law of nature. In the water sound set by Kymat a water wave surface becomes filmed while being played with music or specific frequencies and tones. So create beautiful sound structures and forms you can find everywhere in nature. www.kymat.de __________________________________________________________________________ Es existieren gewisse Schwingungsmuster, die sich auf verschiedenen Ebenen wieder finden; eine Tageszeit, ein Organ, eine Farbe, eine Pflanze: Ein Ton. Das Klangbild der Oktaven ist ein Naturgesetz. In dem Wasserklang Set von Kymat wird eine Wasserwellenoberfläche abgefilmt, während sie mit Musik oder bestimmten Frequenzen und Tönen bespielt wird. So entstehen wunderschöne Strukturen und Klangformen die man überall in der Natur wiederfinden kann
Sven Meyer & Kim Pörksen created Sonic Water, an art installation exploring cymatics.
Pörksen explains:
“Cymatics is like a magical tool that unveils the substance of things not seen. Sound does have form, and you can see that sound can affect matter and cause form in matter. So maybe in the beginning there was sound, which shaped all matter. Indeed, we think sound has a fundamental influence on the formation of the universe itself.”
Check out the behind the scenes video after the gallery.
SONIC WATER laboratory for water sound images Sven Meyer & Kim Pörksen Sonic Water / cymatics laboratory / vernissage documentation / CREATE YOUR OWN WORLD Olympus OMD Photography Playground 25. April - 24 Mai 2013 / Opernwerkstätten Berlin www.sonicwater.org MUSIC by Kymat - Drop Sound Enlightenment / http://www.kymat.de studies of visible sound and vibrations - drop@sonicwater.org www.greatpieceofcake.com & www.elfenmaschine.de https://omd.olympus.de/site/rooms#sven_meyer_kim_poerksen *** Sonic Water is a cymatics installation. Cymatics is the process of visualizing sound and vibrations through matter, such as for example sand or water. In the beginning there was sound. The reason cymatics exerts such a strong fascination is that we are not conditioned to "see sound". Cymatics is like a magic tool that unveils the true substance of things audible, but conventionally invisible. With it one can recreate the archetypes of different forms of nature. So sound does have form and cymatics enables you to comprehend that it not only affects but causes form in matter. In fact, we think sound had a fundamental influence on the formation of the universe itself. But that is another story. Primarily, we are fascinated by the simplicity of this subject. All it takes is sound and a very basic medium such as water to create... well, what could be (and in our view is) the coolest sound visualizer. How does it work? Our installation at the Photography Playground in Berlin consists of two different areas. A self-running installation and a DIY water-sound-image laboratory where people can experiment with their own cymatics. The setup in both areas is almost identical. The only difference is, that you can use your own camera and create your own soundscapes in the DIY laboratory. The installation is very simple: A sound signal is used to vibrate a speaker. On top of the speaker membrane we have applied a plate and on the plate we have then glued an ordinary bottle cap. The bottle cap (or the whole plate) is filled with water. The water works as a flexible three-dimensional sculpture mass, that translates the sound into pictures. The vibration of the speaker creates one of a kind water-sound-images in response to the respective sound impulse - from chaotic patterns to standing mandala-like waves. The camera films the speaker from above and basically shoots a macro mode live view of the bottle cap action which is projected onto a large screen. When people enter the room they initially just see the big screen cymatics projections. However, once they approach the cube with the speaker they suddenly grasp the setup and have this moment of incredulity and utter bewilderment, that a setup as simple as ours can create such astounding visuals. But this part of our installation is actually just an incentive or an ice breaker. Our actual intention is for the audience to have fun in the laboratory, where they can create and document their own cymatics. In the DIY laboratory you clamp a Olympus OMD camera on the stand, which you get upon entering the exhibition and you can then film or take photos of the water-sound-images you create by means of sound signals from a synthesizer, by using your own voice (via a microphone) or by just playing your favorite song on your smartphone. What does it look like if you hum your favorite tune into the microphone? What does Wagners "Twilight of the Gods" look like in cymatics? The results are images reminiscent of the shape of flowers, the form of a starfish, the patterns of turtleshells, cell division, the golden ratio, the flower of life - all depending on the individual frequency impulse. In the laboratory you become the creator, the big bang and part of the genesis. _____________________________________________________________________________________
Read: http://www.huffingtonpost.co.uk/news/topical-comedy Like: http://www.facebook.com/HuffPostUK Follow: https://twitter.com/HuffPostUK The smash hit of the summer - now set to your favourite famous dance clips from film and TV. What's not to love?!
HuffPo UK put out this fun supercut of dancing scenes in movies through the decades and set it to Daft Punk's Get Lucky.
Get the track »
Our very own Middle-Eastern version by Radiohead. Inspired by Radiohead's clip, (https://www.youtube.com/watch?v=IBH97ma9YiI) and made with great respect and no intentions claming copyrights. Tel Aviv-based musicians Rotem Shefy (vocalist) and Leat Sabbah (cellist/arranger) collaborated to realize an arrangement of Karma Police, a major hit from the alternative rock band Radiohead, third album OK Computer (1997).
This is so stylish and spot on. Love it.
Rotem Shefy (vocalist) and Leat Sabbah (cellist/arranger):
"Our very own Middle-Eastern version" of Radiohead's 1997 hit "Karma Police." What seemed at first a satirical cover transformed into a full-blown middle-eastern version, recorded with oud player Yaniv Taichmann and percussionist Ori Dekel."
Space presents a fantastic mystery to human life. Unfathomably large, with characteristics that defy our experience and understanding, the stars have perplexed and amazed humanity for our entire recorded history, and likely before. In the present, astrophysicists and astronomers are aggressively studying the universe in an attempt to solve critical scientific and philosophical questions.
Astrophysicist Dr. Emily Rice, Hubble Image Processor Zolt Levay and Astronomer David W. Hogg were brought together in this video by PBS to talk on why it's so beautiful and how it's so important to take photos of space.
Our single EP 'Wasting My Young Years' is now available to pre-order on iTunes! http://smarturl.it/WastingMyYoungYears This is our official video for Wasting My Young Years, out on June 16th via Metal & Dust Recordings http://www.londongrammar.com http://www.facebook.com/londongrammar http://www.twitter.com/londongrammar
The astonishing video for London Grammar's new single Wasting My Young Years was shot in a series of simultaneous exposures of 625 pinhole cameras using a huge circular rig which has many small boxes built into it.
The behind the scenes video below details the imaginative and laborious process.
A little look at how Bison made the video for London Grammar. Video Main film is here: https://vimeo.com/66320518 BTS Camera - Simon Lakos
The woven landscapes were created using a technique inspired by my study of tapestry weaving. Each one involves several photographs taken from multiple angles and, if possible, multiple heights as well.
Through the use of camera distortions and selective offsetting of the strips, varying degrees of abstraction are introduced for the purpose of more deeply engaging the senses and creating a visual journey. It is my hope that the experience leaves the viewer feeling a bit more attuned to their everyday environment.
Animation for the Tulip Museum in Amsterdam
From the Himalayan mountain range through the Turkish Court to the Netherlands, the story of how tulips got to be the Dutch symbol that they are.
See also Tulip Fields in Bloom
The only thing better than a fireworks show is a fireworks competition. (Leslie Horn - Gizmodo.) The event is regarded by many as the biggest and best fireworks competition in the world. The video captures some of the scale of the spectacular fireworks and the excitement of the booming city of Da Nang, Vietnam. Teams from USA, Russia, Japan, Italy and Home Team Da Nang competed in the event with the Melrose Pyrotechnics team from the USA taking the grand prize. Epic Fireworks Blog http://epicfireworks.com/blog/2013/05/amazing-time-lapse-of-the-danang-international-fireworks-competition/ Many thanks to Global2000 for organising the event and for providing such fantastic building access. http://www.globalcomm.com.my/profile.html Copyright all images © Rob Whitworth 2013 - www.robwhitworth.co.uk
Photographer Rob Whitworth documents the Danang International Fireworks Competition 2013 in Vietnam.
See more great stuff on the fesitval at Epic Fireworks
Walking through the streets of Marrakech, Essaouira, Fes el Bali and Casablanca.. taking in the sights and sounds of this beautiful place. I just wish my camera had shown the true beauty of Morocco. Big thanks to Silvia delle Grottaglie. THANKS TO ALL PEOPLE WHO WERE THERE WITH US AND LET US SHOOT THIS VIDEO. Music: "Grand Pianola Music" by John Adams facebook.com/dalessandri
Italian filmmaker, Leonardo Dalessandri shot this stylish and awesome video on the streets of Marrakech, Essaouira, Fes el Bali and Casablanca.
A collaborative film made with UK singer Etta Bond, for Channel 4. Shot in one take and split into 1374 layers in After Effects. You can see the making of here: https://vimeo.com/66304079
Stunning video for this great song from Etta Bond (@EttaBond)
Political cartoonist turned artist, Damián Ortega has these beautiful suspended sculptures.
Philadelphia, Pennsylvania by Bill Dickinson
Photos described as "genuine images taken with a camera."
Seoul, Korea by Saik Kim
Milwaukee, Wisconsin by Jacob Rostermundt
Dresden, Germany by Manuel Irritier
Dokkum, Netherlands by Bas Meelker
WK Cheoh
Groningen Netherlands by Rayon Hoepel
Anna Gett, captured in Amsterdam, Holland.
The Seattle skyline by John G. Cramer